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Impromptu Conjuring: Without Apparatus, Preparation, Or Sleight Of Hand by Will Blyth
From C The first edition of one of Arthur Pearson's famous magic works is full of charming and exciting magic of the time.
Introduction:
Being able to perform a magic trick anytime and anywhere is an important qualification for a magician. In fact, the status of many amateur performers is determined by their ability to improvise, rather than the magic performances they perform after carefully preparing and arranging various performances. At this critical moment, it is important to emphasize the word 'entertainment'. When many amateur performers are asked to "perform a few tricks" at holiday gatherings, their constant reaction is to take out a deck of cards from their pockets and perform a few old-fashioned card tricks. Nowadays, showcasing card magic to make most viewers not bored (especially if there are children present) is by no means an easy task. Therefore, the main purpose of this book is to provide amateur magicians with a series of new and old improvisation effects, which are said to help them break free from the routine and stereotype. Amateur magicians often overlook the issue of improvisation. Sometimes, an amateur artist may find himself a guest at a party. At night, the hostess asked him if he wanted to perform a few tricks to entertain the audience. How pitiful and impolite such an answer seems, "I'm sorry, but look, I didn't bring any magic props tonight." However, this is a common occurrence. What is the true stance of such self proclaimed magicians? At best, they are just demonstrators of the product
From C The first edition of one of Arthur Pearson's famous magic works is full of charming and exciting magic of the time.
Introduction:
Being able to perform a magic trick anytime and anywhere is an important qualification for a magician. In fact, the status of many amateur performers is determined by their ability to improvise, rather than the magic performances they perform after carefully preparing and arranging various performances. At this critical moment, it is important to emphasize the word 'entertainment'. When many amateur performers are asked to "perform a few tricks" at holiday gatherings, their constant reaction is to take out a deck of cards from their pockets and perform a few old-fashioned card tricks. Nowadays, showcasing card magic to make most viewers not bored (especially if there are children present) is by no means an easy task. Therefore, the main purpose of this book is to provide amateur magicians with a series of new and old improvisation effects, which are said to help them break free from the routine and stereotype. Amateur magicians often overlook the issue of improvisation. Sometimes, an amateur artist may find himself a guest at a party. At night, the hostess asked him if he wanted to perform a few tricks to entertain the audience. How pitiful and impolite such an answer seems, "I'm sorry, but look, I didn't bring any magic props tonight." However, this is a common occurrence. What is the true stance of such self proclaimed magicians? At best, they are just demonstrators of the product
