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Feeling A Thought by Luke Jermay
FEELING A THOUGHT
I consider this to be the heaviest of all of the deceptions
contained in this manuscript. For me, this is the single
demonstration within these pages that carries with it the biggest
ethical concern for the performer. I believe this is due to the
fact that this experience is as real as it is fake. It happens
entirely in the mind of the participant and due to this for them
it is without any doubt real.
It is best suited for a one on one performance. I have
used this presentational concept in many different ways, both
onstage and in less heavy routines. However after exploring it
for several years, I firmly believe it is at its most potent and
powerful in the form that follows. Use with caution
FEELING A THOUGHT
I consider this to be the heaviest of all of the deceptions
contained in this manuscript. For me, this is the single
demonstration within these pages that carries with it the biggest
ethical concern for the performer. I believe this is due to the
fact that this experience is as real as it is fake. It happens
entirely in the mind of the participant and due to this for them
it is without any doubt real.
It is best suited for a one on one performance. I have
used this presentational concept in many different ways, both
onstage and in less heavy routines. However after exploring it
for several years, I firmly believe it is at its most potent and
powerful in the form that follows. Use with caution